1/9/2024 0 Comments Omer arbel bocciWith designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs. From the whimsical - like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams - to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.įor midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. Brass, on the other hand, can introduce an alluring, warm glow. Certain materials, like glass, can complement naturally lit settings without stealing the show. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite - see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.Ĭhandeliers have evolved over time, but their classic elegance has remained unchanged. Don’t mistake this for simplicity, however. This monograph brings together twenty-two compelling projects from lighting works for Bocci to furniture and standalone homes to reveal practice founder Arbels radical design ethos, which is rooted in material. The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. The work of Omer Arbel Office moves fluidly between the fields of design, architecture, sculpture, and invention. While gas lighting during the late 18th century represented an upgrade for chandeliers - and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen - it would eventually be replaced with the familiar electric lighting of today. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. There is a blurring of our intuitive sense of time: these contemporary pieces appear in the context of the Mallett space and somehow look even older than the surrounding antiques, suggesting a kind of pre-history and genealogy of objects.Chandeliers - simple in form, inspired by candelabras and originally made of wood or iron - first made an appearance in early churches. In texture, material and spirit the Bocci pieces seem to speak the same aesthetic language as many of Mallet’s remarkable antiques, establishing a kind of kinship. In addition, clusters of Bocci’s celebrated brass 19 series pieces are set throughout Ely House. A tangle of black coaxial cable trails after the light sources that constantly shift, from an imposing presence in a room to discrete strands articulating the divergent vectors of individual pendants. Each globular glass pendant will have a special mirrored coating, reflecting its surroundings and the historical pieces in the space. The main attraction will be a chandelier three stories long in the dramatic, main stairwell. Mallett’s Dover Street location, the elegant Ely House, built in 1772 and one of the rare London palaces to retain its original features, houses a dreamlike, bespoke 57 chandelier by Bocci. Vancouver-based design brand Bocci collaborates with Mallett, one of the oldest and most prestigious antique dealers in the world, to curate several installations for the 2014 London Design Festival and beyond.
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